
The Harder Courage by Leslie Slape
Directed by Rod Ceballos
Costume Design – Allison Johnson
Scenic Design – Robert Vaugh
Sound/Light Design – Rachel Kinsman Steck
Stage Manager – Abby Mearns
Design Intern – Madison Munro
Cast:
Thomas Nabhan
Clyde Berry
Jennifer Skyler
Elizabeth Rothan
The Harder Courage is set between 1891-92, in the jail cell and courthouse of Cowlitz County in Washington. This show follows the relationship and decisions between the sheriff and the accused, counseled by the women in their lives. I sought to keep the two main characters, Ben Holmes and Robert Day, in the same basic outfit throughout, aside from changes seen on stage. It was through the women that the passage of time was observed.
As with all Theatre 33 productions, this was a new play in the works with script changes happening throughout the rehearsal process as the writer sees the play get up on its feet. As such, it was important for me to distill the essence of each character from the beginning, to account for potentially needed flexibility as edits and new pages come out.
Bethany Sees the Stars by Emily Golden
Directed by Stephen Alexander
Dramaturg – Deb Vaughn
Costume Design – Allison Johnson
Scenic Design – Zach Ward
Light Design – Rachel Kinsman Steck
Cast:
Annalyce Winkler
Marah Walsh
Leo Elkington
Thomas Nabhan
Elizabeth Rothan
A play about grief, trios, friendship, and the relationships that help us get through it all.
Burst by Rachel Bublitz
Directed by Theresa Robbins Dudeck
Set Design – Robert Vaughn
Lighting Design – Rachel Kinsman Steck
Costume Design – Allison Johnson
Sound Design – Zach Ward
Cast:
Chelsea Janzen
McKenzie Potter-Moan
Fiona Jenkins
As with all Theatre 33 productions, this was a new play in the works with script changes happening throughout the rehearsal process as the writer sees the play get up on its feet. Burst deals with the personal and large scale ethics of technology and consumption through the looming climate crisis with regards to plastic.
I was heavily inspired by Elizabth Holmes and Steve Jobs, and decided to make this a monochromatic show that focused on shape and pattern as our lens into the characters. For example, the more soft spoken scientist is in a smoother almost tie dye seeming top, contrasting with the sleek and geometrical “no nonsense” shapes of the main character.