Hannah Lauren Wilson, Ty Hendrix. The Comedy of Errors (Experience Theatre Project) Casey Campbell Photography.
The Comedy of Errors (Experience Theatre Project) Casey Campbell Photography.
The Revolutionists (Artists Repertory Theatre) photo by Owen Carey
The Revolutionists (Artists Repertory Theatre) photo by Owen Carey
A Dolls House Part 2 (Artists Repertory Theatre) photo by Owen Carey
A Dolls House Part 2 (Artists Repertory Theatre) photo by Owen Carey
A Dolls House Part 2 (Artists Repertory Theatre) photo by Owen Carey
A Dolls House Part 2 (Artists Repertory Theatre) skirt in process
A Dolls House Part 2 (Artists Repertory Theatre) skirt in process
A Dolls House Part 2 (Artists Repertory Theatre) coat in process
Everybody (Artists Repertory Theatre) coats in process
Bethany Sees the Stars. (Theatre 33 2019). By Dale Peterson www.dalempeterson.com
First fitting, September 29th 2018, (McKenna Twedt as Katherine in The Taming.)
Everybody (Artists Repertory Theatre)
Everybody (Artists Repertory Theatre) photo by Owen Carey
Everybody (Artists Repertory Theatre) photo by Owen Carey
Everybody (Artists Repertory Theatre)
McKenna Twedt as Katherine, The Taming (CoHo 2018). By Neverland Images LLC
Second fitting, McKenna Twedt as Katherine in The Taming.
Everybody (Artists Repertory Theatre) coats in process
Second fitting, October 16 2018, McKenna Twedt as Katherine in The Taming
McKenna Twedt as Symbol of America. The Taming (CoHo, 2018). By Neverland Images LLC.
McKenna Twedt as Katherine, The Taming.
McKenna Twedt as Katherine. The Taming (CoHo 2018). By Neverland Images LLC.
McKenna Twedt as Katherine, The Taming.
McKenna Twedt as Katherine. The Taming (CoHo 2018). By Neverland Images LLC.
Put together and helped cut shirt, altered vest and pants. (The Man of Mode, The American Shakespeare Center 2018. Photo by Lindsey Walters)
Cut and put together robe. (The Man of Mode, The American Shakespeare Center. Photo by Lindsey Walters. 2018)
Cut and put together hat and vest. The Man of Mode, The American Shakespeare Center. Photo by Lindsey Walters
Added silver trim and shiny details, sewed ruffles and tie. The Man of Mode, The American Shakespeare Center. Photo by Lindsey Walters
Detail work on gown. (The Man of Mode, The American Shakespeare Center. Photo by Lindsey Walters. 2018)
Detail work (The Man of Mode. The American Shakespeare Center. 2018)
Cut and sewed coat, cut and put together vest. Fitting alterations on overskirt, sewed purple pants. The Man of Mode, The American Shakespeare Center. Photo by Lindsey Walters
Cut and put together vest, performed fitting alterations. The Man of Mode, The American Shakespeare Center. Photo by Lindsey Walters
Katie Little backstage in The Man of Mode
Cut, fit, altered, and put together fully lined tailcoat. The Man of Mode, The American Shakespeare Center. Photo by Lindsey Walters
In process, (The Man Of Mode. The American Shakespeare Center, 2018)
In process, (The Man Of Mode. The American Shakespeare Center, 2018)
In process, (The Man Of Mode. The American Shakespeare Center. 2018)
In process, (The Man Of Mode, The American Shakespeare Center, 2018)
In process, (The Man Of Mode, The American Shakespeare Center, 2018)
In process, (The Man Of Mode, The American Shakespeare Center, 2018)
Detail of french hood (The Winters Tale, The American Shakespeare Center, 2018)
Detail of french hood (The Winters Tale, The American Shakespeare Center, 2018)
Sewed hat and sash, cut and acted as first hand for coat. A Winters Tale, The American Shakespeare Center. Photo by Lindsey Walters
Significant alterations to dress including building stomacher and undersleeve, sewed french hood. A Winters Tale, The American Shakespeare Center. Photo by Lindsey Walters
Significant alterations to dress including building stomacher and undersleeve, sewed french hood. A Winters Tale, The American Shakespeare Center. Photo by Lindsey Walters
Cut jacket and pants, cut and sewed hat. A Winters Tale, The American Shakespeare Center. Photo by Lindsey Walters
Hat in process (The Winter's Tale, The American Shakespeare Center. 2018)
Sewed hat and sash, cut and acted as first hand for coat. A Winters Tale, The American Shakespeare Center. Photo by Lindsey Walters
Cut jacket and pants. A Winters Tale, The American Shakespeare Center. Photo by Lindsey Walters
Pants in process. (A Winters Tale. The American Shakespeare Center. 2018.)
Pants in process (The Winter's Tale. The American Shakespeare Center. 2018)
Pants in process (The Winter's Tale. The American Shakespeare Center. 2018)
Wings of Fire (Photo by Dale Peterson 2018)
Altered pattern, cut, fit, and sewed dressing gown. Burn This (Photo by Dale Peterson)
Burn This (Willamette University, 2018). Photo by Dale Peterson
Burn This (Photo by Dale Peterson 2018)
From Spolia, and interactive solo performance/installation
An Inspector Calls (Photo by Dale Peterson)
Cut, assisted fittings and put together dress. An Inspector Calls, Willamette University 2017 (Photo by Dale Peterson)
Cut, assisted fittings and put together dress. An Inspector Calls, Willamette University 2018 (photo by Dale Peterson)
Cut, assisted fittings, and put together night gown from adapted pattern for Lady Macbeth, Willamette University 2017
Macbeth (photo by Dale Peterson 2017)
Cut, assisted fittings, and put together night gown from adapted pattern for Lady Macbeth, Willamette University 2017
Macbeth (photo by Dale Peterson 2017)
Lear's Daughters (photo by Dale Peterson 2017)
The Weaver and the Dress (Photo by Dale Peterson 2016)
Hagoromo (photo by Dale Peterson)
Vincent in Brixton (photo by Dale Peterson 2016)
Vincent in Brixton (photo by Dale Peterson 2016)
Vincent in Brixton (photo by Dale Peterson 2016)
Evolution (photo by Dale Peterson 2015)
Evolution (photo by Dale Peterson 2015)
Evolution (photo by Dale Peterson 2015)
Merchant of Venice (Arkansas Shakespeare Theatre 2015)
Fiddler on the Roof (Arkansas Shakespeare Theatre 2015)
The Country Wife (photo by Dale Peterson)
The Country Wife (photo by Dale Peterson)